Sage Rountree: Yoga for Athletes, Training for Running and Triathlon | Blog
Cross-Legged Twist
If you're a member of USA Triathlon (which you should be, if you race triathlons!), you'll soon receive a copy of their nice magazine, USA Triathlon Life. [Addendum: See it online here!] The winter 2010 issue includes a piece I wrote on yoga for triathlon. If you look very closely at the cross-legged twist instructions and photo, you'll notice they don't quite mesh. While the instructions cue you to cross right leg over left and roll to the left, the photo shows that cross of the legs with a twist to the right. Obviously, this is just a mistake of composition, but it gives me a chance to tout the virtues of twisting both ways with the legs crossed.
Here's a depiction of what's illustrated:
And here's what's called for in the text:
Same cross of the legs—right over left—but two different poses. Both do stretch the IT band, the outer hip, the spine, and the chest. But the first one, in which you twist right, works the lateral quads and the iliopsoas on the left, while the second, in which you twist left, gets much deeper into the right-leg glutes, tensor fasciae latae, and IT band.
Try them both, and you'll feel the difference. Together with a squat for the quads and lower back and a forward fold for the hamstrings, these twists would be part of a complete postrun routine. These twists appear in Athlete's Pocket Guide to Yoga and in the Reclining Twists episode of my Sage Yoga Training podcast, available free at iTunes and streamable at YouTube. We also do them regularly at the studio, and they're featured in my YogaVibes yoga for athletes class. Enjoy them both!
January 6, 2010 08:05 AM
| Training and Racing, Yoga, Media
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Hey, Bird Dog
To my delight, Runner's World's Best of Running list contains a favorite yoga pose (which appears on page 2, just under Best Training Advice: Value Rest, on which I plan to write much more in 2010). To my surprise, that pose is Bird Dog, in which you're on your hands and knees, with one arm (say, the right) reaching forward as the opposite leg (say, the left), reaches backward. (You can see an illustration on page 34 of The Athlete's Pocket Guide to Yoga, searchable by using Look Inside the Book on Amazon.)
I'm often asked to choose one yoga pose every runner should practice. Usually, I say "mountain pose" or "low lunge." But when you think about it, Bird Dog is an essential pose for runners. First, it mimics the contralateral action used in running: as one arm is moving forward, the other is moving backward, and the core has to hold it all together. Along the way, the hamstrings, glutes, and hip stabilizers must engage to help with the extension of the leg, and the hip flexors have to release to enable this action. This corrects imbalances between weak hamstrings and glutes and tight hip flexors, which I discussed in this blog post.
Second, the position in relationship to gravity helps to strengthen the muscles that support the spine, as the musculature of the core—both front and back—must kick in to hold the midline of the body steady.
Third, you'll need to engage your rear shoulder muscles to hold your scapulae in place even as your arm extends. The upper back is usually quite weak in both athletes and desk workers/drivers/sitters/Westerners, and this is a good way to begin strengthening that area.
Kudos, Runner's World, for the great choice.
December 30, 2009 03:54 PM
| Training and Racing, Yoga, Media
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Your Dream Running and Yoga Retreat
As this year wraps up, I'm planning my 2010 teaching schedule. I've reserved the fabulous facility at ZAP Fitness in the Blue Ridge Mountains of North Carolina for two weekends, May 14–16 and October 22–24. It's a wonderful place to spend the weekend doing yoga and running (and eating, and sleeping, and hot-tubbing), and my 2008 and 2009 retreats were both wonderful.
Here's where I need your help: what would you most like to see as a theme for these retreats? Are you interested in more running, more yoga, or an even mix of the two? Do you want to spend some time in meditation? Are you dying to master handstands, headstands, or some other particular pose? Would you prefer to have some formal instruction in planning your training? This year, I offered complimentary video analysis of each of the runner's gaits, which was fun for everyone. Would that interest you? In May, weather may be good enough for a ride on the Blue Ridge Parkway—would expanding workout options to include cycling be an inducement? We have the option to add a third night and begin the retreat on Thursday—what do you think? Ladies, are you more likely to attend an all-women's retreat, or, guys, are you more comfortable when you know there will be some other men around?
Please share your ideas with me for your own dream retreat, whether or not you think you could make it. You can leave comments here, send me a Tweet, post on my Facebook page, or simply write a good old-fashioned e-mail. (If you wanted to get really creative, you could post a video on YouTube.) I really hope to hear from you.
December 21, 2009 04:14 PM
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Wall Folds and Twists
I've just put up a new episode of Sage Yoga Training—my podcast of short yoga routines for athletes and everyone—this one with some very relaxing, gentle folds and twists using a wall for support. You can download it in iTunes, watch it on YouTube, or simply play it from here (though the quality of the pictures is lower, I think you'll get the gist).
The inversions help you relax and recover from your training (or December stress), and the reclining position keeps your back in a safe, neutral position. If you keep the stretches gentle, they will work even after a hard workout, when deep stretching would only stress your muscles further.
These poses are a version of the Wall Folds routine from The Athlete's Pocket Guide to Yoga, and they were the inspiration for the coffee-table/locker-room yoga routine I described here.
Description for the episode:
Perfect for practice after a long or hard workout, this gentle series of stretches encourages recovery and open hips, while helping you relax. You’ll need a wall or a closed (and locked!) door. Be sure to keep your back neutral against the ground throughout—don’t let your bottom curl up as your legs shift position. At the end, feel free to stay as long as you like with your legs up.This sequence is also available in The Athlete's Pocket Guide to Yoga, which you can find at Amazon, REI, and bookstores everywhere. Music for the episode is “Breath of Love,” by Suzanne Teng, off the compilation Music for Meditation, available at Magnatune.com.
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Coffee Table Yoga
Today was my last trip of the season to teach yoga to the UNC football team. They've had a good season, which officially ends next Saturday but which will continue to a bowl game. My role is as part of the lift-and-flush workout, in which they do some light weights and running, plus yoga. It's always interesting to see the progression as the season continues. Last week, for example, instead of the usual chatter about who went to what club the night before, I heard some guys talking about who blew what assignment; others were comparing stats. How cool to see a team hit its stride!
Today, we did a variation on the Wall Folds routine from The Athlete's Pocket Guide to Yoga, using the team's lockers. These have a seat-height bench covered in a pad, and they're deep enough that players can rest the entirety of their lower legs on the pad. The bottom of the bench is solid. At home, you can use your coffee table (or, if you're tall, your sofa), then move to the wall for the supported twists. The bent-legged position you take as home base for the sequence is very nice on the lower back and knees—much less stressful than a full straight-legged viparita karani/legs-up-the-wall position. Your legs get the draining effect of the inversion; your back is held by the floor, which keeps it from rounding; your chest gets a gentle stretch; and your whole system—body, mind, and breath—gets calm.
Here are some ideas for you to play with. Sure, this could be yoga for football players, but it could also be great as a relaxing sequence after travel, or after a tough workout.
- Come close to the coffee table, calves to its surface, back on the ground. Bring your bottom as close to the table as feels comfortable. Take your hands to a position that feels good: inverted V, goalpost arms, "Touchdown!" arms, "Safety!" arms, or a V overhead. Stay here for a number of breaths, getting settled.
- Take your knees closer over your torso and rest your heels on the edge of the table. You'll be in the shape of a squat on your back. Hold for five breaths or more.
- From here, shift toward baddha konasana/cobbler pose legs, taking the knees wide into a diamond shape as the soles of your feet come together. Support your knees without forcing them toward the table. Five or more breaths.
- Unwind and rest your calves back on the table. Straighten your left leg, reaching your left heel toward the ceiling and your left toes toward your head. After a few breaths, gently circle your foot in one direction, then the other, to stretch the lower leg. Repeat on the right leg.
- Lift your left leg, point the left knee to the left, and cross your ankle over the right leg, so that the outer ankle is to the right of the right leg. If you need more stretch for the outer left hip, slide your right knee toward your chest. If your bottom lifts off the ground, scoot your whole body away from the table, so that your entire backside stays in good contact with the floor. Stay for five to ten breaths—a longer hold helps the piriformis release—then repeat for the right leg.
- Bring your heels to the edge of the table. If you trust the table will not slip, push into it with your feet and lift your hips in the air. You'll be in a high bridge pose (drawbridge?). From here, you can walk your shoulders toward each other behind the back. If any of this feels iffy for your neck or back, skip it. Otherwise, five breaths or so should do.
- This one is for those at a solid couch or with a blocky coffee table; alternatively, move to the wall or a door. Slide six inches or so away from the prop, then drop both knees to the right, taking the soles of your feet to the prop. Open your left arm to the left, and turn your head that way, too. (The players really liked this one; it gives you a slightly deeper twist than the usual knees-down reclining twist in the middle of the room.) For less, move further from the prop; for more, scoot in toward it. After five breaths or more, move to the other side.
- Finish as you started, calves to the tabletop, back neutral, chest open. Breathe.
Let me know what you think!
November 22, 2009 02:54 PM
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